Sunday, January 1, 2012

THE INSANE AMONG US


The insane among us
drugged and decomposed
fashion a light between themselves
dark, dense and beautiful.
A river swells in them like a beast,
its long tongue whipping brush and briar,
an insatiable hunger. Listen
to its shadow. Pay attention
to the voice of air. Sunlight
is not always the light to health.


Michael H. Brownstein

THE RAIN AND THE FLOOD


a partition of clouds and an edge to calm,
one array of silence,
one array of sullenness,
one array of something we no longer indent, 
every rapid of light a fluid bubble
over leaf and wind
glitter and pause
and still the river flows taking with it


Michael H. Brownstein

DRIFTWOOD


These are the names of all of my days.
I sit on the tree trunk in front of the vacant store on 43rd,
The elevated terrible and angry, squeals to a stop.
Standing near the fence for a century or more under the mist of rainbows,
I watch the workers in the distant fog harvesting crosses.

Quiet sympathy,
Every tone of skin a variance of depression gray,
Every knitted muscle more convoluted than its companion piece,
All of the ragweed eating into the lining of my nose
The very seed that feeds the song I like most.

Field workers assemble the wood,
Framing one piece to another,
Whitewashed and hammered shut.
Fog thickens and thins, turns and rises.
Every distant shape, every piece of driftwood.


Michael H. Brownstein


Michael H. Brownstein taught elementary school in Chicago’s inner city (he is now retired), but he continues to study authentic African instruments, conducts grant-writing workshops for educators, designs websites and records performance and music pieces with grants from the City of Chicago’s Department of Cultural Affairs, the Oppenheimer Foundation, BP Leadership Grants, and others.




Listen, Arcata


     My not so paranoid grievances: those tied at-the-laces tennis shoes draped over a

telephone line outside my house coupled with the movie, “The Woodsman,” Kevin

Bacon’s character, a newly released sex offender, an image of tennies tossed over a line 

as opening credits rolled;  awfully loud 4 by 4 trucks, iPods and radios blasting, motor-

cycles, skateboarders rolling by at midnight, waking me up---that never happened before;

huge, clamorous line of vehicles driving on H Street whenever I step out the door; people

across the street, mimicking my every word as I lay on my insomniac bed, talking to

myself, with lips closed, how can they hear me; a U.S government car, I saw the

Federal plates, a drunken-faced man pretending to nod off, trying to intimidate me; on

one-way streets, I’ve seen cars go wrong way, their way of symbolically hanging an

upside-down  American flag, signaling distress, I their target, getting away with it

because the cops let them; there’s Dogface, a person with an attack dog, barking like a

wild jungle animal whenever he/she thinks I’m not paying attention as Netflix movies

play on my monitor; every time I hear sirens from cop cars/fire trucks speed past my

home on H Street, I’ve called 911, complaining they’re disturbing the neighborhood but,

in fact, they’re terrorizing me, and I shout out my open front door, “Al Qaeda needs

more haters, more improvised explosive devices planted, join them”; my next door

neighbor, The Pimp I call him, makes certain I hear him thudding ( thugging? ) my wall,
                                                                                               
as well as speaking on an iPhone to persons unknown, FBI agents, I assume; my dentist,

as I sat in the waiting room, fiddled with an electronic gizmo plugged into a wall next to

me, and I have only seen him on his reclined chair, not in the waiting room before my

appointment; at the clinic once I had my blood pressure taken in a tiny, claustrophobic

room, the health care worker reaching my arm from the hall, the clinic’s electric power

source, coils and wires surrounding me, I scared of touching anything in this electro-

cution chamber, the staff setting me up for thousands of volts jittering through my body,

murdering me; prosecute me, stop persecuting me I yell at that Clicker, clicks coming

from my walls, computer, microwave, Venetian blinds, hoping I would be driven to

madness, overdosing myself with prescription drugs; I am the new Jew, new Roma, stop

the hysteria, think rationally like me…But remember, Citizen Arcata, Blackie’s come to

town, ordered from Amazon, a black and shining machete, and if I placed it in my

backpack, ambling through neighborhoods, perhaps stalking a person, observing their

vulnerabilities, their daily routine, I might just yank it from my pack, bloodying my

victim, chopping off appendages, geysers of blood spouting out in surprising amounts,

dead or alive, I am happy, then dropping Blackie, waiting for the SWAT team taking me

to jail, and the trail, then, before sentencing, I’ll explain how sane I am, I telling the truth

to people unaccustomed to anything but psychiatric delusions.

    The surveillance continues, people now watching every keystroke, every eye blink,

they have made me colder in heated rooms, shivering in 60 degree days, sturm und drang

a necessary function before an assassin kicks in my door, emptying his revolver into me,

bullets screaming vilification.


George Sparling 

Applying Toxic Mushrooms


In a room draped in royal blue
a consultant advises applying
toxic mushrooms to problems

office politics can’t solve.
The room shimmers like tissue. 
I’m planning a dinner party

for you and your feral husband.
After brandy and thick cigars
I’ll propose you elope with me

to the nearest rain forest, leaving
your husband shuffling papers
in his dusty office where stainless 

steel instruments glower and books
too thick to grip with his tiny hands
gloat with insufferable knowledge.

This plan will enrage him, of course.
Exposing his aspirin-sized teeth
he’ll demand an apology;

but I’ll stare until the toxic
mushrooms in his salad attack
his liver and he staggers with pain.

We’ll rush him to the hospital
and assure him of survival,
then taxi to the airport and lose

ourselves together in the world.
What a daydream. The consultant
in the room draped in royal blue

hasn’t mentioned toxic mushrooms,
but flashing his MBA smile
he offers pie charts related

to better use of personnel
to cope with a grim economy.
I made up the rest to impress you,                                   

and would like to share it all
over cups of Earl Grey tea;
but as the consultant’s lecture ends

your blue gaze looks too bottomless
to lure all the way to the tropics,
so I won’t even say hello.


William Doreski

Something Gray Happens


As we walk beside a granite wall
discussing friends whose cancers
have recurred, enemies whose wealth
has mounted, and the tsunami
that has disabled half of Japan,
something gray happens: a misstep 
takes me inside the wall. I panic, 

but you see nothing wrong. The day,
filtered through stone, looks final.
The density stifles my breathing
and igneous pressure retards
my already compromised heart.
You believe I still walk beside you
with rapt and human expression.

Yet I’m inside the wall, not quite
fossilized but trapped like a fly
in amber. Only my shadow 
walks beside you, a muddle
of shame. Don’t touch or confide
in it. Please call a mason 
to demolish the wall and free me.

Too late. Your footsteps recede,
and the tall voice of my shadow
drifts on the brittle March wind.
I try to back out of this trap,
but whatever opening occurred
to admit me now has closed,
leaving no trace of a seam.

Your fading laughter frightens me.
I fear if you accustom yourself
to only the shadow part of me
you’ll forget I used to occupy
three dimensions, and won’t recall 
how much of me the stone absorbed,
how much or how little you cared.


William Doreski

The Night’s Criminal Intentions Made Clear


Midnight, New Jersey suburbs.
Expressionless houses stare
into places I’ve never been.
Long streets warp into dead-ends.
The party ended with regrets,
air kisses, and many hurt feelings.
A long drive home to New Hampshire
past half-awake Manhattan,
through Connecticut’s uneasy sleep.

Too much outstanding mortgage,
too many kids in college. The stars
won’t reveal themselves until
I’m north of Springfield. Troopers
will ignore me. Huge trucks will sneer
as they pass at twenty or thirty
miles above the limit. Someone
will die alone and drunk on a curve
on a two-lane highway out of sight,

the wreckage folded like origami.
I shouldn’t have driven so far
to attend such a sullen party,
should have gotten drunk and slept
on the host sofa and driven home
in mid-morning glare. Instead I drank
club soda and stared into faces
ignited by gothic daydreams
no living man could fulfill. One

by one the women departed
with angry husbands simmering
with liquor. One by one the men
departed with disappointed wives.
The night’s criminal intentions
made clear, I packed myself
like a carry-on and drove away.
Now I’m lost in the empty streets,
desperate for turnpike or parkway.                

Vast cemeteries gloom in lamplight
intended to discourage vandals.
I drive so carefully the planet
can’t get too firm a grip on me;
and as I exit New Jersey
over the George Washington Bridge
I glance at the bottomless Hudson
and catch myself adrift and waving,
not drowning, on the carbon slick.



William Doreski 


William Doreski's work has appeared in various e and print journals and in several collections, most recently Waiting for the Angel (Pygmy Forest Press, 2009).